"history" and "historiography"
Question Description
How do we distinguish between “history” and “historiography”? Why is this distinction important? Compare and contrast Ken Burns’s Empire of the Air, and Michele Hilmes’s Only Connect in terms of this distinction. How do their approaches differ? How do the sources used create a different history of the broadcast medium? What are the strengths and weaknesses of each approach?
(with a well-developed argument including an introduction, analysis and conclusion)
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